What You Don’t Know About This Photograph Has the Power To Change Opinions
by Jason Hudson on April 19th 2016.
The common adage, “a photo is worth a thousand words,” is true. You’ve heard it, as a photographer you live by it, you incorporate it into your work mantra. But what happens when the story a photo tells is different from reality? The image, “Saigon Execution” is an example of this misrepresented story.
This iconic war photo was immediately popularized and used as valuable anti-war propaganda to depict the horrors of war. “Saigon Execution” clearly illustrates a violent moment frozen in time, but the context behind the image is not what it seems. The iconic image won Associated Press photographer, Eddie Adams, a Pulitzer Prize in 1969 for Spot News Photography. The image depicts the execution of Viet Cong prisoner, Nguyễn Văn Lém. With a caption of merely “General Nguyen Ngoc Loan executing a Viet Cong prisoner in Saigon,” the scene seems to depict the ruthless execution of a civilian, on a whim, in the streets of Saigon. Greater than an image, is the context. Context is the single driving force of truth past the immediate surface elements of a photograph.
AP Photojournalist, Eddie Adams
Despite assumable context, the “victim” in the photo, is not a civilian. The man being executed is Viet Cong prisoner Nguyễn Văn Lém (also known as Captain Bay Lop). Van Lem, or Bay Lop, was an assassin, the leader of a VC death squad who was targeting South Vietnamese officials. Early on the morning of the photograph, Bay Lop had led a unit of VC tanks to attack the Armor Camp in Go Vap. After taking control of the camp, Bay Lop arrested Lt.Col Tuan along with his family. In an effort to gain intelligence from Tuan, Bay Lop tortured, and eventually executed, Tuan. Bay Lop then went on to kill all the members of Tuan’s family, to include his 80-year-old mother. Captain Bay Lop was then captured near a mass grave of 34 innocent civilian bodies, leaving little doubt to his involvement in the atrocity. Upon proudly admitting his participation in the horrific war crime, Bay Lop was brought in and promptly executed with the .38 side arm in front of AP photographer Eddie Adams.
I just followed the three of them as they walked towards us, making an occasional picture. When they were close – maybe five feet away – the soldiers stopped and backed away. I saw a man walk into my camera viewfinder from the left. He took a pistol out of his holster and raised it. I had no idea he would shoot. It was common to hold a pistol to the head of prisoners during questioning. So I prepared to make that picture – the threat, the interrogation. But it didn’t happen. The man just pulled a pistol out of his holster, raised it to the VC’s head and shot him in the temple. I made a picture at the same time…
Eddie Adams, behind his 1969 Pulitzer Image “Saigon Execution”
Adams later commented on his regret of the image. It was immediately adopted to depict ruthless violence and incivility of the South Vietnamese; however, the image, is absolutely contrary. While war is violent and horrific, the actions carried out by Gen. Nguyen Ngoc Loan, chief of the national police, were reasonably just. Adams later said in an article in Time, “The general killed the Viet Cong; I killed the general with my camera.”
Still photographs are the most powerful weapon in the world. People believe them, but photographs do lie, even without manipulation. They are only half-truths. What the photograph didn’t say was, What would you do if you were the general at that time and place on that hot day, and you caught the so-called bad guy after he blew away one, two, or three American soldiers?
Eddie Adams, Pulitzer Prize Winner, AP Photographer
Adams continues to explain his remorse for how the image impacted Loan and his family. When Loan died of cancer in his Virginia home, Adams stated, “The guy was a hero. American should be crying. I just hate to see him go this way, without people knowing anything about him.”
Following the incident, General Nguyen Loan was injured by machine gun fire leading to the amputation of his leg. Seriously injured and crippled by war, Loan left South Vietnam. During the fall of Saigon in 1975, Loan fled to the United States. Putting the plights of war behind him, starting a new life, Loan opened a pizzeria outside of Washington D.C. In Rolling Valley Mall in Burke, Virginia suburbia, Loan worked until his retirement in 1991 having never fully escape the reputation of Adam’s photograph. Adams recalls a bit of bathroom graffiti on one of his last visits to Loan’s pizzeria, “we know who you are f****r,” a clear message of a misinformed individual.
Loan and his wife at their Pizzeria in Burke, VA
The power of an image can shape minds, change lives and alter political climates. The brutality of war is depicted no matter the context of “Saigon Execution.” But if the proper story was represented, would the image have had the impact it did? The story should continue beyond the grainy black and white exposure. According to Adams, photographs are half truths. With only half of the story publicly revealed, there grows an element of moral ambiguity in its propaganda. We continue to see this misuse of media today in the social realm. We continue to see groups use imagery at face value to represent a cause. As consumers, we immediately take, share, like, and promote the media to support our agendas. Maybe, a taking pause could help us learn more about the way the world works. Perhaps a little more research and understanding of the whole story might shape our opinions of the situation completely
Jason Hudson is a writer and photographer living in Central Coast California. Jason is currently a full time photographer and designer at a reputable branding firm and has freelance clients ranging from GoPro, Phillips, Outdoor Magazine and more. For inquiries about Jason’s work, The Keller Whale, visit www.thekellerwhale.com
Thanks for reading, Jessica: Praise be the ORI.